Comparing Writing Careers of Edgar Allan Poe and Stephen King Essay

comparing Writing C atomic number 18ers of Edgar Allan Poe and Stephen KingIn human nature there exists a morbid desire to explore the darker realms of life. As sensitive beings we make all effort to deny our curiosity in the things that frighten us, and will sedately reassure our children that there argonnt any creatures under their beds each night, but recently down we in secret thrive on that cool rush of fear. despite our efforts to maintain a balance of respectable emotions, we are a decree of people who slow down to look at traffic accidents and muster up excitement in the macabre. We turn off the lights when watching scary movies, and when it?s time to go to bed, we secretly make sure the closet doors are shut. Fear keeps our hearts pumping and deathorphins rushing, for it is an emotion that reminds us of our mortality. How ironic it is to experience to a greater extent life in our fascination with death. Two legendary writers have command the universe of death and ho rror with remarkable success, both gifted with the giving of introducing each reader to his or her own subconscious fears. Edgar Allan Poe and Stephen King are the masters of their craft, blessed- or perhaps cursed- with imaginations that set higher standards in the celestial orbit of writing. Both authors broke new ground in fiction that has had a significant impact on the world of literature. Similar in quite a a few ways, though contrasting in many others, this constitution will explore the lives and moods of these two remarkable men, paying close perplexity to the differences that exist in their approaches to writing. A look into Poe?s childhood mightiness shed some light on where this divergence stems from. Edgar Allan Poe was born in 1809 in Boston, Massachusetts to drifting actor parents. Denying his parental responsibilities, his father woebegone his wife and three children, leaving her to support the family as best she could. She travelled through various cities act ing in stage engagements as she could charm them, but the struggle eventually took a toll on her health. Towards the end of 1811 while in Richmond, Virginia, she became ill and died. Her children were promptly farmed into homes, Edgar being placed into the vestibule of a well-off, yet unsupportive merchant named John Allan. Allan was emotionally quarantined from Poe, refusing to even legally adopt the boy. This move would begin a scope of events, eventually triggering a drinki... ..., and even if Poe?s use of language whitethorn be difficult to understand in this day and age, his subject subject is just as timely as Kings is. They have followed the norms in style of their respective cultures and times, even though their themes don?t exactly oblige to society?s morality. They are different and stand out because of it. We whitethorn never know if any of this affected either writer?s ideas or successes, or if they simply were destined to write the way they have. What we do know is that as readers we will never be the same. The things that have secretly scared us since childhood are forever entrenched in the stories by these two great writers, and the subject of fear will never grow cold. WORKS CITED Charters, Ann. The Story and Its Writer. 5th ed. Boston Bedford/ St. Martin?s, 1999. Edgar Allan Poe- The Life of a Poet. National Park Service. 4 Apr. 2001. King, Stephen. Needful Things. sweet York Viking Penguin, 1991. ---. Night Shift. New York Doubleday Dell, 1976. ---. On Writing A Memoir of the Craft. New York Scribner, 2000. Van Doren Stern, Philip. The takeout Poe. New York Penguin Books, 1957. Trotter, Jeffrey. Epinions. 5 Aug. 2000.